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Interactive sound sculpture experiment

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Interactive sound sculpture experiment

This week I continued my exploration of sound, bringing in ideas of interactive objects that respond to motion. I have be thinking about the potential of kinetic work and sound sculptures. This was a quick experiment influenced by the design of rain sticks.



Turning

Rotating

Spinning

Twisting

Swirling

Pivoting

Tumbling

Greyboard, masking tape, panel pin nails, chickpeas and rice

Naomi Harwin

Working predominately in sculpture and installation, Naomi Harwin’s work centres around sensory experience and perceptual encounters. Most recently she has been exploring how bodily perception can cultivate resilience in the face of disorientation. With societal and environmental uncertainty, feelings of instability can arise and we seek out connection. Harwin explores how we connect with; our bodies, each other and our environment through the senses available to us. Creating interactive and mixed media artworks that reference sensory and inclusive design, contact improvisation, architectural scenography and play, she aims to create moments of connectivity and shared experience. Naomi Harwin graduated from Norwich University of the Arts in 2014 and more recently participated in East Bristol Contemporary’s Night School VII in 2021. She was a Studio Artist at Wysing Arts Centre in Cambridge from 2015 to 2021 and is now a Studio Member at Paradise Works in Manchester. Previous commissions, exhibitions and features include: Hospital Rooms at Northside House, Norwich (2021), Encounter, Wysing Arts Centre, Cambridge (2020), To be an object is to possess a boundary, 1961 Projects, In Personam, Singapore (2019), Like-minded, Minimal Zine issue 01 (2019), Non-working hours, 1961 Projects , Singapore(2018), We:You,Me, Firstsite, Colchester (2017), AD HOC + TRADE Swap Editions, Art Licks, SET and Castor Projects, London (2017), in between things, Nunns Yard, Norwich (2016) and ‘O’, Airspace Gallery, Stoke-on-Trent (2015).

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