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Celina integrates access and care into her practice, considering them as generative strengths that make projects more engaging to diverse audiences. Interested in care practices, alternative education and audience engagement, Loh has been researching the integration of access within art and curatorial practices, specifically how access can be a catalyst for creativity and public engagement rather than a discourse on policy. Her areas of expertise include accessible and inclusive practices; collaborative/peer-led programming; and creative development. Loh has organised exhibitions and public programmes across the UK and internationally including Despite Extractivism for WEGO-ITN and University of Brighton, UK and EU (2022) ; Blunt Blades Online for The Higgins Bedford, UK (2021); Aesthetics of Silence at Wei-Ling Contemporary, KL Malaysia (2021); No horizon, no edge to liquid at Zabludowicz Collection, London UK (2020); h(u)man at Open Eye Gallery, Liverpool UK (2018); PLAY at Hin Bus Depot, Penang Malaysia (2017); Past Forward at Ashton Memorial, Lancaster UK (2017). Loh often ghostwrites for organisations and artists, writing exhibition texts, press releases, artist statements, artwork descriptions and art applications while guest writing for exhibition catalogues (Immersio: Mengukir, TM Museum, 2022).